1924 Hollywood Highest Grossing Movies
Rank | Title | Studio | Box office gross rental |
---|---|---|---|
1 | The Sea Hawk | Associated First National Pictures | $2,000,000[1] |
2 | The Thief of Bagdad | United Artists | $1,587,275[2] |
3 | Girl Shy | Pathé Exchange | $1,550,000[1] |
4 | Secrets | Associated First National Pictures | $1,500,000[1] |
5 | Hot Water | Pathé Exchange | $1,350,000[1] |
6 | He Who Gets Slapped | Metro-Goldwyn-Mayer | $881,000[3] |
7 | His Hour | $595,000[3] | |
8 | Beau Brummel | Warner Bros. | $453,000[4] |
9 | The Dixie Handicap | Metro-Goldwyn-Mayer | $447,000[3] |
10 | The Marriage Circle | Warner Bros. | $373,000[4] |
1) The Sea Hawk
The Sea Hawk | |
---|---|
1924 theatrical poster
| |
Directed by | Frank Lloyd |
Produced by | Frank Lloyd |
Screenplay by | J. G. Hawks Intertitles: Walter Anthony |
Based on | The Sea Hawk by Rafael Sabatini |
Starring | Milton Sills Enid Bennett Lloyd Hughes Wallace MacDonald Marc McDermott Wallace Beery |
Music by | Modest Altschuler Cecil Copping John LeRoy Johnston |
Cinematography | Norbert F. Brodin |
Edited by | Edward M. Roskam |
Production
company | |
Distributed by | Associated First National Pictures |
Release date
|
|
Running time
| 123 minutes |
Country | United States |
Language | Silent (English intertitles) |
Box office | $2 million[1] |
The Thief of Bagdad | |
---|---|
Directed by | Raoul Walsh |
Produced by | Douglas Fairbanks |
Screenplay by | Achmed Abdullah Lotta Woods |
Story by | Douglas Fairbanks |
Starring | Douglas Fairbanks Snitz Edwards Charles Belcher Julanne Johnston Anna May Wong |
Music by | Mortimer Wilson |
Cinematography | Arthur Edeson |
Edited by | William Nolan |
Distributed by | United Artists |
Release date
|
|
Running time
| 140 minutes |
Country | United States |
Language | Silent film English intertitles |
Budget | $1,135,654.65 |
Box office | $1,587,275[1] |
Girl Shy | |
---|---|
Advertisement from Motion Picture News
| |
Directed by | Fred C. Newmeyer Sam Taylor |
Produced by | Harold Lloyd |
Written by | Thomas J. Gray (titles) Sam Taylor (story) Tim Whelan (story) Ted Wilde (story) |
Starring | Harold Lloyd Jobyna Ralston |
Cinematography | Walter Lundin |
Edited by | Allen McNeil |
Distributed by | Pathé Exchange |
Release date
| March 28, 1924 (New York premiere)
|
Running time
| 80-82 minutes |
Country | United States |
Language | Silent film English intertitles |
Budget | $400,000 (estimated)[1] |
Box office | $1,550,000[2][3] |
Secrets | |
---|---|
Theatrical poster
| |
Directed by | Frank Borzage |
Produced by | Norma Talmadge |
Written by | Frances Marion (screenplay) Rudolph Besier (play) May Edginton (play) |
Starring | Norma Talmadge |
Cinematography | Tony Gaudio |
Distributed by | First National |
Release date
|
|
Running time
| 108 minutes |
Country | United States |
Language | Silent (English intertitles) |
Hot Water | |
---|---|
Directed by | Fred C. Newmeyer Sam Taylor |
Produced by | Harold Lloyd |
Written by | Thomas J. Gray Sam Taylor Tim Whelan John Grey |
Starring | Harold Lloyd Jobyna Ralston |
Cinematography | Walter Lundin |
Edited by | Allen McNeil |
Distributed by | Pathé Exchange |
Release date
|
|
Running time
| 59 min.[1] |
Country | United States |
Language | Silent (English intertitles) |
Box office | $1,350,000[2] |
He Who Gets Slapped | |
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theatrical release poster
| |
Directed by | Victor Sjöström |
Produced by | Victor Sjöström Irving Thalberg (uncredited) |
Screenplay by | Victor Seastrom Carey Wilson |
Based on | Тот, кто получает пощёчины by Leonid Andreyev |
Starring | Lon Chaney Norma Shearer John Gilbert |
Music by | William Axt |
Cinematography | Milton Moore |
Edited by | Hugh Wynn |
Distributed by | Metro-Goldwyn-Mayer (as A Metro-Goldwyn Picture) |
Release date
|
|
Running time
| 80 minutes |
Country | United States |
Language | Silent film English intertitles |
Budget | $172,000[1] |
Box office | $881,000[1] |
His Hour | |
---|---|
Lobby card
| |
Directed by | King Vidor |
Produced by | Irving Thalberg |
Written by | Maude Fulton (intertitles) Elinor Glyn King Vidor (intertitles) |
Starring | Aileen Pringle |
Cinematography | John J. Mescall |
Distributed by | Metro-Goldwyn Pictures |
Release date
|
|
Running time
| 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $197,000[1] |
Box office | $595,000[1] |
Beau Brummel | |
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theatrical release poster
| |
Directed by | Harry Beaumont |
Written by | Dorothy Farnum |
Based on | Beau Brummel (1890 play) by Clyde Fitch |
Starring | John Barrymore Mary Astor Carmel Myers Willard Louis Irene Rich |
Music by | James Schafer |
Cinematography | David Abel |
Edited by | Howard Bretherton |
Production
company | |
Distributed by | Warner Bros. |
Release date
|
|
Running time
| 135 minutes (10 reels) |
Country | United States |
Language | Silent (English intertitles) |
Budget | $343,000[1] |
Box office | $495,000[1] |
The Dixie Handicap | |
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Lobby card
| |
Directed by | Reginald Barker |
Produced by | Louis B. Mayer |
Written by | Waldemar Young |
Based on | "Dixie" by Gerald Beaumont |
Starring | Claire Windsor Lloyd Hughes Otis Harlan |
Cinematography | Percy Hilburn (*French) |
Edited by | Daniel J. Gray |
Distributed by | Metro-Goldwyn Pictures |
Release date
|
|
Running time
| 7 reels |
Country | United States |
Language | Silent (English intertitles) |
Budget | $153,000[1] |
Box office | $447,000[1] |
The Marriage Circle | |
---|---|
Theatrical poster
| |
Directed by | Ernst Lubitsch |
Produced by | Ernst Lubitsch |
Written by | Paul Bern (scenario) Victor Vance (intertitles) |
Based on | Only a Dream by Lothar Schmidt |
Starring | |
Cinematography | Charles Van Enger |
Production
company | |
Distributed by |
|
Release date
|
|
Running time
| 85 minutes |
Country | United States |
Language | Silent English intertitles |
Budget | $212,000[2] |
Box office | $427,000 (worldwide rentals)[2] |
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